| Ident. | Authors (with country if any) | Title |
|---|
| 000009 |
Courtney Boyd [États-Unis] ; Cindy Crawford [États-Unis] ; Charmagne F. Paat [États-Unis] ; Ashley Price [États-Unis] ; Lea Xenakis [États-Unis] ; Weimin Zhang [États-Unis] | The Impact of Massage Therapy on Function in Pain Populations—A Systematic Review and Meta-Analysis of Randomized Controlled Trials: Part II, Cancer Pain Populations |
| 000010 |
Cindy Crawford [États-Unis] ; Courtney Boyd [États-Unis] ; Charmagne F. Paat [États-Unis] ; Ashley Price [États-Unis] ; Lea Xenakis [États-Unis] ; Eunmee Yang [États-Unis] ; Weimin Zhang [États-Unis] | The Impact of Massage Therapy on Function in Pain Populations—A Systematic Review and Meta-Analysis of Randomized Controlled Trials: Part I, Patients Experiencing Pain in the General Population |
| 000025 |
Megan Narad [États-Unis] ; Annie Garner [États-Unis] ; James Peugh [États-Unis] ; Leanne Tamm [États-Unis] ; Tanya Antonini [États-Unis] ; Kathleen Kingery [États-Unis] ; John Simon [États-Unis] ; Jeff Epstein [États-Unis] | Parent- Teacher Agreement on ADHD Symptoms Across Development |
| 000035 |
Manuel Mireanu [États-Unis] | The Spectacle of Security in the Case of Hungarian Far-Right Paramilitary Groups |
| 000038 |
Stefano Franchi [États-Unis] | The Past, Present, and Future Encounters between Computation and the Humanities |
| 000063 |
Simon Penny [États-Unis] | Art and robotics: sixty years of situated machines |
| 000074 |
Scot Gresham-Lancaster [États-Unis] | Relationships of sonification to music and sound art |
| 000081 |
Peter Gena [États-Unis] | Apropos sonification: a broad view of data as music and sound |
| 000105 |
Revital Shamri [États-Unis] ; Jason J. Xenakis [États-Unis] ; Lisa A. Spencer [États-Unis] | Eosinophils in innate immunity: an evolving story |
| 000121 |
Martin J. Plax [États-Unis] | The Novelty of Modernity |
| 000122 |
Subhash Kak [États-Unis] | The Golden Mean and the Physics of Aesthetics |
| 000123 |
Florian Thalmann [Suisse] ; Guerino B. Mazzola [États-Unis] | The BigBang Rubette |
| 000128 |
Jerrold Levinson [États-Unis] | Philosophy and Music |
| 000150 |
Abraham L. Halpern [États-Unis] ; John H. Halpern [États-Unis] ; Sean B. Doherty [Royaume-Uni] | "Enhanced" interrogation of detainees: do psychologists and psychiatrists participate? |
| 000181 |
Carla Scaletti [États-Unis] | La metafora nella matematica e nel suono |
| 000182 |
John Barron [États-Unis] | ■ The New Blue Music: Changes in Rhythm & Blues, 1950-1959. By Richard J. Ripani. University Press of Mississippi, 3825 Ridgewood Road, Jackson, MS 39211-6492; 601-432-6205; fax, 601-432-6217; www.upress .state.ms.us. 2006. 261 pp. Music examples, appendix, notes, bibliography, index. Hardcover, $50.00; paperback, $20.00 |
| 000185 |
William A. Sethares [États-Unis] | Visualizing and Conceptualizing Rhythm |
| 000188 |
William A. Sethares [États-Unis] | Speculations, Interpretations, Conclusions |
| 000209 |
Antje Jackelén [États-Unis] | EMERGENCE EVERYWHERE?! REFLECTIONS ON PHILIP CLAYTON'S MIND AND EMERGENCE |
| 000261 |
Composer Roger Reynolds [États-Unis] | The evolution of sensibility |
| 000265 |
Minoru Shinohara [États-Unis] ; Kevin G. Keenan [États-Unis] ; Roger M. Enoka [États-Unis] | Fluctuations in motor output during steady contractions are weakly related across contraction types and between hands |
| 000349 |
Steven Feld [États-Unis] ; Donald Brenneis [États-Unis] | Doing anthropology in sound |
| 000405 |
T. George Hornby [États-Unis] ; Jennifer C. Mcdonagh [États-Unis] ; Robert M. Reinking [États-Unis] ; Douglas G. Stuart [États-Unis] | Motoneurons: A preferred firing range across vertebrate species? |
| 000446 |
Vincent Barletta [États-Unis] | Ten‐Year Index of JLA |
| 000465 |
Nikos A. Salingaros [États-Unis] | Architecture, Patterns, and Mathematics |
| 000503 |
Arthur Tomie [États-Unis] | Locating Reward Cue at Response Manipulandum (CAM) Induces Symptoms of Drug Abuse |
| 000504 |
P. W. Farrett [États-Unis] | Intelligent musical instrument systems |
| 000505 |
M. Helmuth [États-Unis] | Granular synthesis composition with StochGran and Max |
| 000509 |
James Pruett [États-Unis] | The Harpur College Music-Computer seminar: A report |
| 000514 |
Roosevelt Porter [États-Unis] | Performances and Individuating Musical Works |
| 000548 |
Lee Xenakis Blonder [États-Unis] ; Eva Deane Kort ; Frederick A. Schmitt | Conversational Discourse in Patients with Alzheimer's Disease |
| 000596 |
Stephen W. Smoliar [États-Unis] | Models of musical communication and cognition |
| 000600 |
Lee Xenakis Blonder [États-Unis] ; Raquel E. Gur [États-Unis] ; Ruben C. Gur [États-Unis] | The effects of right and left hemiparkinsonism on prosody |
| 000727 |
Roland Nadeau [États-Unis] | Modern Music: The Avant Garde Since 1945 |
| 000743 |
Valerie Ann Malhotra [États-Unis] | Weber's concept of rationalization and the electronic revolution in western classical music |
| 000763 |
David Cope [États-Unis] | The Mechanics of Listening to Electronic Music |
| 000771 |
Otto E. Laske [États-Unis] | Musicology and Psychomusicology: Two Sciences of Music |
| 000772 |
Derald De Young [États-Unis] | Music Literature for Band and Wind Ensembles |
| 000814 |
Barney Childs [États-Unis] | Experimental Music |
| 000816 |
Chappell White [États-Unis] | Cultures |
| 000824 |
Donald Byrd [États-Unis] | A system for music printing by computer |
| 000831 |
Cecil Isaac [États-Unis] | Varèse, a Looking-Glass Diary, Volume I: 1883–1928 |
| 000834 |
David Ernst [États-Unis] | So You Can't Afford An Electronic Studio? Here's How to Build High Interest at Low Cost with Musique Concrète |
| 000838 |
Merrill Bradshaw [États-Unis] | Formalized Music: Thought and Mathematics in Composition |
| 000856 |
Bruce Levine [États-Unis] | A composer's problem—1972 |
| 000867 |
Marvin Adler [États-Unis] | What Next? |
| 000936 |
Arthur Frackenpohl [États-Unis] | Contemporary Music in Europe |
